New Hot Chip - Dark & Stormy

Don't get too far ahead of yourself - "Dark & Stormy" isn't part of some surprise Hot Chip album on the way (sigh).

While many of the group's members are venturing outside the Hot Chip boundaries with various solo efforts, including Joe Goddard's upcoming Taking Over EP, "Dark & Stormy" is the band full and true. It's the first new studio music from the band since last year's In Our Heads, and it might not be a surprise if its eventually on a new LP. But for now, stream the single below.

Bonus: The "Dark & Stormy" single will be released digitally and on 10" vinyl July 22, with an alternate version of "Look At Where We Are" as the featured B-Side from Domino Records.

Tuesday Bears: New Hot Chip - Night And Day

"Night and Day," the second track we've heard from Hot Chip's June 12 LP In Our Heads, will also be released as a single June 4 via Domino Records. Listen here.

Thursday Bears: New Hot Chip - Flutes

Hot Chip's newest track, "Flutes," debuted a few days ago, but either I was preoccupied or just completely ignored it for now good reason. It's the first single after the band's move to Domino Records, from their upcoming album In Our Heads, which is scheduled for release June 11. Stream the song and watch the sickening video below.

Tuesday Bears: Pitchfork Music Festival lineup released

No other music festival bares influence on Lollapalooza more than the Pitchfork Music Festival. Both are held in Chicago, less than a month apart from one another. And because of this, the festival organizers have inacted a "radius clause" which I've mentioned on here time and time again, that states that musical acts that play within a certain mile radius in a certain time span before and after Lollapalooza's scheduled dates cannot play there. All this usually means is that any act playing Pitchfork cannot play Lolla and vice versa.

So, who won't be at Lollapalooza this year? Feist, Vampire Weekend, and Godspeed You! Black Emperor, lead out the initial headlining list, alongside Hot Chip, A$AP Rocky, Kendrick Lamar, Tim Hecker and a handful of other notable acts, all of which you can see here.

The pre-Pitchfork predictions seemed to be strong for Bon Iver, PJ Harvey, and Jeff Magnum headlining, but now that that seems to be out of the question, that all but guarantees a spot for Justin Vernon and the band at Lolla in August. This, however, is not the entire Pitchfork Music Festival lineup. More than 30 other acts will also be added, so nothing is certain.

Again, nothing is confirmed yet, but this is reason enough to be suspicious. Tickets for the July 13-15 fest go on sale Friday, March 9 at noon. Single-day passes are $45 and a three-day pass are a reasonably priced at $110.

Wednesday Bears: Lollapalooza 2010 Review - Day One

Lollapalooza 2010 has come and gone. And as with every year, I'll post my day-by-day in depth review of everything that happened, to me at least.

Day One:

By now, I feel comfortable calling myself a Lolla veteran. Despite the new shake-ups organizers made to the park - moving some stages and increasing size and ticket revenue - certain things about the festival have now become somewhat predictable. Now that's not me saying that I don't enjoy my time, because I certainly do, but the surprise factor has somewhat been diminished. Regardless, August 6, the festival's first full day, was one of the best I've ever had the privilege of being a part of.

The sun was out in pristine blue sky, as Chicago usually seems to this time of year, at a hot, but bearable 80 degrees. Walking in I noticed two distinct things that we're a bit different: one; the size expansion. The Lolla-area had been extended to Michigan Avenue, allowing several stages their own space, more bathrooms and easier in and out access to the park. The other was the overwhelming amount of Lady Gaga fans. They had come in black and pink droves, with colored hair, flaring costumes and skin-tight everything, parking themselves at the south side of the park for the entire day, hoping to save a seat in the enormous crowd that was growing throughout the day. It was a big change of pace for a festival that had never billed a pure mainstream pop act of this caliber. For once, the festival wasn't a haven for mislabeled hipsters and older fans looking for a fun weekend. More on that later.

So, officially, my third Lollapalooza began with Wavves at around noon. For those familiar with the band and their studio work, you'd understand the risks seeing them. Luckily, or in another sense, predictably, the band is better live than advertised. With a weekend short on surprising acts, Wavves was a good start. The noise rock trio, headed by notorious frontman Nate Williams, were a bit out there (if you know the cover of their King of the Beach album you can pretty much figure it out) for the majority of the show, accusing fans for being Ben Stein and whatnot, but they settled into their own, making them a bit more endearing than before.

Wavves

Leaving Wavves with a little time to spare, I made my way to the opposite end of the park to catch the Walkmen, the first of my many heavily anticipated performances. While the first five minutes of the show were clouded with immense, for some reason, technical difficulties, the band broke into with the first of many new tracks from their upcoming album Lisbon.

Decked in their usual casual yet formal clothing, the group, thanks most to Hamilton Leithauser's booming vocals, gave maybe the best early performance of the day, mixing in new work and more familiar singles like "In the New Year" and "The Rat" throughout the show. All in all, a pretty damn good start for just being 2:00 p.m.

The Walkmen

My eventual down-time was few and far between, but between 2:00 and 4:00 I had my first breather. I took short trips to see Ana Sia, my first visit to the updated Perry's Place, and a couple minutes with noise-gaze trio Cymbals Eat Guitars, but eventually found myself waiting for the New Pornographers to start.

Kicking off with my favorite song of theirs, "Sing Me Spanish Techno," Neko Case (draped in a sun-protecting hat), AC Newman, Dan Bejar (who came in and out often) and the rest of the group performed almost every hit they've had in their near ten-year careers, spanning from 2001's Mass Romantic to this year's Together. Needless to say, the group sounded flawless on stage, despite the direct sunlight on Case's fair frame. Friday afternoon had again spurned what would turn out to be one of the weekend's best shows.

The New Pornographers

Once 5:00 rolled around, I was caught in my first of several weekend dilemmas. Do I stay at the north side of the park and catch the Dirty Projectors? Or Fuck Buttons? Well, I knew I wasn't going to Matt & Kim on the south side so there wasn't too much worry there, so I tried my time at both and wound up just grabbing my spot for Hot Chip.

It's unfortunate to note that this was probably the only stain on day one. As I mentioned before, the plethora of Gaga fans camping out at the south end of the park eventually begun to choke the area around the main stage. And by 6:00 any person hoping to grab a spot for either Hot Chip or Gaga had to really manage their way through the sidelines. It's a shame too, because the group put on one of the best shows of the weekend, but half of time I was trying not to bump shoulders with 40,000 others. Still, it was another great show for the day.

With the first night a few hours away from closing, I geared up for day one's headliner, The Strokes. I stayed a short time at Jamie Lidell's bearded and disheveled performance, trying to rest my legs in anticipation of two and half hours of straight standing (and/or jumping). Yeah, it didn't really do much to help.

Jamie Lidell

For those who weren't aware, or don't regularly read this thing, this was the first show the Strokes had done in the United States in nearly four years. While there wasn't any new material to speak of (could be a good or a bad thing), the band seemed like they haven't spent too much time apart, performing almost their entire track list from Is This It? and several other songs from their last two albums. It's hard-pressed for Lolla headliners to put on disappointing performances, and aside from the late start and somewhat early exit (making a scheduled hour and half show into an hour and 10 minute show), The Strokes easily delivered. So for fans electing to, or adamant about staying away from anything Gaga, their night ended pretty well.

The Strokes

Best Performances: The Strokes, The New Pornographers, Hot Chip, The Walkmen
Worst Performances: None

Highlights: "Reptilia" by the Strokes, "Bleeding Heart Show" by The New Pornographers and "In the New Year" by The Walkmen
Lowlights: The Gaga crowd at Hot Chip

Day Two Review Tomorrow ...

Friday Bears: Lollapalooza 2010 Must-See Artists, Pt. III

Another day, another day closer to departure. Here's part three of Bears and Bullets Lollapalooza 2010 countdown.

#6: Hot Chip
As with The New Pornographers, English pop-dance-whatever group Hot Chip are making their first Lollapalooza appearance since 2006. Since the group's first appearance, the sounds of Alexis Taylor and a small amount of revolving members have achieved a slow progression through 2008's Made in the Dark and this year's One Life Stand, with songs like "Ready for the Floor" and "Shake a Fist" that we in the blog world have heard about probably a thousand times over.

Regardless, the group's dynamics and well-regarded live prowess push them to the middle of this year's list. Plus, I haven't seen them. Hot Chip will be performing at 6:00 on the Parkways stage, Friday, August 6.

Hot Chip - I Feel Better



#5: The National
If it hasn't been mentioned enough this year already, The National have become a pretty big deal. For the band's first studio release since 2007's The Boxer, 2010's High Violet have all-but affirmed their continuing climb up the indie music echelon.

On a short return from their last Lollapalooza performance in 2008, The National are set again to finish off the last night of the festival on the north side of the park, on the Playstation stage at 7:15, on Sunday, August 8. Side note; fans can meet the band at 4:30 on that Sunday for autographs at the F.Y.E. Tent.

The National - Bloodbuzz Ohio



Check in Monday for Parts IV and V ...