New FIDLAR - White On White

Small band of the year, FIDLAR, have released another killer new track, "White On White."

It comes from the LA band's upcoming full-length debut, which features plenty of stellar tracks from FIDLAR's previous releases. Check out the full tracklist and "White On White" below.

And for local fans, you can see the band alongside Delta Spirit and Jeff The Brotherhood in for a huge show at Philadelphia's Theater of Living Arts November 23.

FIDLAR Tracklist:

01 “Cheap Beer”
02 “Stoked & Broke”
03 “White on White”
04 “No Waves”
05 “Whore”
06 “Max Can’t Surf”
07 “Black Out Stout”
08 “Wake Bake Skate”
09 “Gimme Something”
10 “Five to Nine”
11 “LDA”
12 “Paycheck”
13 “Wait For The Man”
14 “Cocaine”

Lollapalooza 2012: Day Two Review

If we're keeping a tally, and we aren't, Lollapalooza's Saturdays usually end up being the strongest of the weekend. In 2008, it was Rage Against The Machine. In 2009, the Yeah Yeah Yeahs filled in for The Beastie Boys when MCA was first diagnosed with cancer. In 2010, Phoenix played the biggest show of the band's career. And last year, it was front and center for My Morning Jacket.

Predictably, 2012's Saturday stacked up as the strongest day of the weekend with the top-billed headliner Red Hot Chili Peppers slated to perform on the park's south side. But why Saturday ended up being the most memorable of the weekend was for completely different reasons.

Day Two:

Glancing at Saturday's schedule, there was enough quality acts to not only fill out the day, but to skip entirely. Looking at it again, there were several very-notable acts I neglected to see, including the aforementioned Chili Peppers. The trip started early with FIDLAR.

FIDLAR

Every year there's one small band that every Lolla-goer that ventures outside of Perry's falls in love with. For me, seeing FIDLAR at the Double-Door the previous Thursday really helped solidify their reputation as one of the most fun punk acts around. So while I was plenty familiar with the setlist, including a scorching closer of "Wake Bake Skate" in which lead singer Zac Carper jumped into a frenzied crowd to spit off the final 30 seconds, the excitement never dwindled. As one of the very few punk shows of the weekend, it was a fun change of pace and worth the early Saturday heat.

Pushing quickly while trying to cool down as much as I could, the next move was to Jeff The Brotherhood and right to Delta Spirit. Both performances were spirited, especially considering how extraordinary the heat had become during the Midwest's lengthy drought. Delta Spirit lead-singer Matthew Vasquez, at the end of his performance, was dunking his head in buckets of water and pouring them on eager fans jumping in the front rows. Still drenched in his own sweat, he nearly passed out at the end from the pure exhaustion.



Thereafter, the day drifted in another direction. Dry, grey clouds set an overcast - something most of us wanted but kind of feared at the same time. Venturing off, you noticed merchandising tents closing and small flocks gathering towards the entrance. If you were in the park last Saturday, in Chicago, or just watching CNN, you know what followed - a full evacuation. The rain is never so much of an issue as wind and lightning are. Considering those factors, along with a recent string of stage collapses at music festivals, the evacuation was actually a very good thing. For those who made it out and didn't waste their time, taking a break and letting the park cool down made the night that much more pleasant.

The delay only lasted from 3:30-6 p.m., pushing other performances back just an hour. Almost immediately upon reentry, The Tallest Man On Earth resumed Lolla festivities with one of the weekend's best sets. Going on over his scheduled play time, Kristian Matsson never seemed to slow down. Rounding off hit after hit from his previous three albums, it was clear that he resonated deeply with his fans who never seemed to leave.

Tallest Man On Earth

From then on, electing to skip both Franz Ferdinand and The Weeknd, I made a station at the Google Play stage through Washed Out, Twin Shadow and that night's headliner Frank Ocean.

Washed Out

While Washed Out did what they could considering their circumstances, and Frank Ocean's set was electric, the curiosity of the night laid with Twin Shadow. Sound problems and a rushed set forced the band for an extremely quick set (about seven songs), but what was seen was absolutely electric. The benefit of playing later at night than originally scheduled added a special element, which also leaked into Ocean's set.

Frank Ocean

Personal sets - truly personal - are actually fairly rare during music festivals. But for those around for Ocean's set, you truly felt a personal vibe. His on stage props streamed constant cartoons that any of his fans can identify with, while he constantly addressed his screaming onlookers. Culminating with the full 10-minute version of "Pyramids," it was a stellar way to end things on a very eventful Saturday.

Best Performances: FIDLAR, Tallest Man On Earth, Twin Shadow, Frank Ocean
Worst Performances: Washed Out

Highlights: "Wake Bake Skate" by FIDLAR, "There's No Leaving Now" by The Tallest Man On Earth, "Five Seconds" by Twin Shadow, "Pyramids" by Frank Ocean.
Lowlights: Evacuation

Lollapalooza schedule, aftershow lineup released

With less than two months before Lollapalooza, the last stretch of the preliminary events has finally passed. Earlier today, the festival released their official three-day schedule, and their lineup of pre-Lolla and post-Lolla after shows. You can check out the listed shows here; FIDLAR & Delta Spirit is one I'm particularly excited for.

As for the schedule, we already knew which artists were playing on which days, but not at which particular times, so this is simply a clarification. As it is, the biggest obvious dilemma is Justice and Jack White closing Sunday night on opposite sides of Grant Park, which is a fairly big decision for a lot of us. However, because of the relative openness of the Sunday schedule, you have the opportunity to see either At The Drive-In and Florence+The Machine prior to the aforementioned acts with relative ease.

Outside of that, there have been more divisive schedules, but there are a few big decisions that will have to be made. Check out the schedule for yourself, here.

New Delta Spirit video - California

The intensely addicting Delta Spirit have released the first video from the group's third album, Delta Spirit, with "California." Which, if you know me, is already sitting at the very top of my favorite songs so far in 2012. The video is a quick tour through the stereotypical lifestyle of a modern day punk, from suburban afterthought to the enriching world of throwing 40s at stuff. Watch below.

Wednesday Bears: Lollapalooza 2011: Day One Review

Four years up, four years down. If there was any hesitation that I had become a festival regular at this point, it's been thoroughly tossed aside. With every new expansion of the park, there's still the staples: That smell from the mud on the south side, the BMI stage being consistently empty, the north side offering crowd size relief, lines at Kuma's, etc.

But with Lollapalooza's 20th Anniversary, there were some notable changes. First and foremost was the newly expanded Perry's Place, which in four years had expanded from a small gathering to the football field-sized cave. Over those years, festival organizers (and notably Perry Farrell himself) have done a lot for electronica music, growing and moving the stage every year, gathering bigger and bigger acts. In addition, with the size growth, the largest Lolla crowd ever (270,000 + fence jumpers over all three days) didn't seem as overwhelming as it had in years past, sans for a few way, way too overcrowded acts (Foster the People).

Day One:

Festival-goers noted that day one was easily the most crowded booking of all three days, with enormous acts laced throughout the schedule, causing numerous scheduling conflicts. For me, it all started with The Vaccines.

The much-hyped UK act had a very early slot on the first day, sitting comfortably on the south side's main stage. I don't quite know what it is, but the first act I see every year usually delivers, and the group was no exception. Pacing through nearly their entire debut album (closing with "Norgaard"), the four-piece put on at the very least a solid show, setting the trend for early Friday afternoon.

Delta Spirit

After a small break, Delta Spirit were set to play on the same stage. Already familiar with the act after seeing them at Lolla two years ago, I knew kinda what to expect - a rowdier than thou spectacle befitting a band with a little more publicity to back up their name. Live, the band is in another world of exceptional, baiting singles here and there with lead-singer Matthew Vasquez easily leading the crowd. Sure, there were a handful of Muse fans here and there, with just permanent frows of disappointment that they weren't listening to Muse yet (they played the same stage later that night), but they couldn't take away from an outstanding show, led by an incredibly enigmatic front-man. With all respect, if you missed this show, you missed one of the best of the weekend - bar none.

What followed next was a series of glory and frustration, all at Perry's. Through Feed Me, Bloody Beetroots Death Crew 1977, and Skrillex, I was immersed in a shroud of deluded assholes, genuinely nice people, and then many more assholes. The Bloody Beetroots Death Crew 1977 proved to actually be one of the weekend's all-around best acts, far and away, but wading through Feed Me and Skrillex's crowd was unbearable. It in itself explained this year's greatest flaw and asset - the Perry's crowd.

Looking around the tent's outside, one could easily see throngs of kids in large groups - far too large to have traveled far distances. It's apt that the bros would only hang around the other local bros, because that was all they cared to see, aside from Eminem the next night. It's no coincidence, however, that because of this the shows outside of Perry's were for the most part very comfortable and easy to manage. Still, it's an absolute shame that the generic Perry's crowd dragged down the atmosphere of the park.

Crystal Castles

After a sweaty stagger away from the tent, I crossed shortly over to catch Crystal Castles' set. After a notoriously poor showing in 2009, the set was plagued with technical problems. Alice Glass' mic was continually cut off or spaced out, with the show ending a few minutes early. Still, the crowd seemed more than pleased, despite the clear difficulties, with the duo ending the set with "Not in Love," one of the best songs of the weekend. It's somewhat apparent that this is more of an indoor, late night band, rather than one playing for an oversized crowd of casual onlookers. Maybe the festival scene just isn't right for them.

For the first time in the festival's Chicago history, four headliners would close out the night. The near 100,000 Friday fans were split among the aforementioned Muse on the south side, Girl Talk at Perry's, Coldplay on the north side, or Ratatat at the smaller Google+ stage. I gladly opted for the smaller act, with a much better guaranteed seat.

Ratatat

Ratatat is truly an act better seen in the dark, as was evident with their performance at Coachella. While the fireworks and light shows were meant for Muse and Coldplay, Ratatat gave a fine light show performance tucked in Grant Park's corner. It likely didn't have the bravado of the two other acts' already well-established shows, but it did prove to be a nice outlet for those who don't really care for them.

Aside from the occasional asshole, Friday was an astounding success, just like the previous years (sans 2009). Tomorrow, I'll be posting my Saturday review.

Best Performances: Delta Spirit, Bloody Beetroots Death Crew 1977, Ratatat
Worst Performances: Crystal Castles

Highlight: "Bushwick Blues," by Delta Spirit. "Warp 1.9," by Bloody Beetroots Death Crew 1977. "Not In Love," by Crystal Castles. "Louder Pipes," by Ratatat
Lowlight: The Skrillex crowd.

Thursday Bears: Bears and Bullets Top 25 Songs of the Year (Pt. IV)

We'll continue our top 25 countdown with songs #10 through #5.

#10: Runaway - Kanye West (ft. Pusha T)
Kanye's had more profound moments in his six year career than "Runaway," but its hard to say he's ever been more endearing and earnest than during this nine minute epic. For a genre and an artist that cultivates so much on self-induced spotlight and showmanship, "Runaway" is Kanye's greatest weakness. The intertwined single-key piano loop opens to depths the artist hasn't had the nerve enough to explore until now: that he isn't as self-enclosed as his detractors may say, and that he's "a jerkoff" sometimes, but we've grown attached to it.

Kanye West - Runaway



#9: Not In Love - Crystal Castles (ft. Robert Smith)
The third official version of "Not In Love," originally from 80s new wave group Platinum Blonde, was reworked with the help of Robert Smith to realize its true potential. Crystal Castles's first cover, featured on Crystal Castles II, was a quieter, more ethereal take on the original with Alice Glass' subdued, electronically dulled vocals spilling over a beating synth pulse. With Smith, "Not In Love" is perfectly akin to the days of the Cure, evoking the unhinged, almost eerily perfect vocals transposed in front of Ethan Kath's ghostly production.

#8: I Can Change - LCD Soundsystem
With the release of This is Happening, most LCD Soundsystem fans went immediately looking for James Murphy's follow up to 2007's "All My Friends," Murphy's all-encompassing single that ended up being one of the best songs of the 2000s. "I Can Change" attempts to lampoon that three-year void, coming almost close enough to rival it. It's a demoralizing love tale, professing that "love is a murderer" without an ounce of dry, boring execution. 

#7: Bloodbuzz Ohio - The National
The National have cultivated years of success chiming into to a fan base's disheartening interest the solemn solidarity of despair, illusion and tearful loss. Without it, Matt Beringer and the group cease to be what they truly are, something "Bloodbuzz Ohio" highlights significantly -- a collective movement to find the sordid beauty in everything we may hate to understand.

The National - Bloodbuzz Ohio



#6: Bushwick Blues - Delta Spirit
Delta Spirit may be going through more creative growing pains than I may admit, but "Bushwick Blues" is an epitome of what they can accomplish at their best; roaring, almost undoubtedly epic rock-blues. The earthy love story of a young-hearted, weak and lonely man actually seems profound enough to here to project an image of unrequited retribution - the feeling all of us are able to feel, but never capture quite so well.

Delta Spirit - Bushwick Blues



Stay tuned, we'll return tomorrow with songs #5 - 1.

Lollapalooza 2009 Review (Day Two)

While day one of Lollapalooza 2009 proved to be very disappointing for the most part, day two more than made up for it

Day Two:

The weather was perfect, contrary to Friday, with a steady stream of sunlight cascading on Grant Park throughout the day. Along with the much welcomed weather, the line-up picked up the slack significantly with much anticipated acts like Animal Collective, TV on the Radio, Lykke Li, Santigold, and headliners Tool and Yeah Yeah Yeahs, among dozens of other notable acts set to round out the night.

At around 11:45 AM, roughly an hour earlier than the day before, I entered the park with a much more attentive smile on my face. The mud had all but disappeared from the park grounds while lines for concessions and bathrooms were completely absent. In those first few moments it was almost as if I had already had a better time than the day before.

My first venture took me back to the Playstation stage - where Andrew Bird finished the previous night - to check out the quirky New England four-piece Ezra Furman & The Harpoons. The group proved to be one of the best pre-noon acts of the festival as Furman enchanted the crowd in a suggested ironic raincoat as he spouted clever stories with his Gordon Gano-esque voice.

Ezra Furman & The Harpoons

As 12:15 drew near, I made my short walk to the Budweiser stage where I was asked by a grey-bearded older gentlemen for the time. In yet another lapse of deluded ignorance, I had no idea I was talking to Chicago rock poet-laureate Thax Douglas, who introduced the next act on my schedule, Delta Spirit.

The poem (from Thax's Myspace), entitled "Delta Spirit No. 3" went:

"like caramel drizzlings on the skin the brands glow dully whenever the body needs to cook a new version of itself- the fresh new body is vain of the brands which its fingers read as birthmarks tattooed by God, the brands taking a much needed vacation by riding the new body's vanity until their services are needed." -8/7/09 Schuba's.

My bewildered face was quickly erased once Matt Vasquez and the rest of the San Diego rock/blues group took the stage. Although they addressed the fact that they never played such a large crowd before, the group thoroughly impressed. Vasquez stands out as one of those rare true rock frontmen that has such a foregoing attitude that the outstanding music being played behind him almost seems to fulfill his true nature as a traveling bluesman.

Delta Spirit

The set closed with an amazing rendition of "People, Turn Around" as Chicago Cubs super-fan Ronnie Woo Woo (apparently, he's a big Delta Spirit fan) made his way through the crowd. At this time, Lollapalooza promoters sent me a text informing that rock & roll legend Buddy Guy was set to appear at the Kidzapalooza stage to perform alongside child guitar-prodigy Quinn Sullivan at 1:30.

A chance to see Guy enticed me enough to run to the stage, which seemed to be a mistake considering the heat. However, Guy didn't make the appearance on time and I was (almost) forced to listen to Sullivan, a child who's talents are more than admirable, but is still a 12 year-old kid. Needless to say, the child's songs about his guitar, how much he likes guitar, and about how he wishes it was 1973 again, tested my patience.

After an angry departure I decided to get a good spot for Minneapolis rap group Atmosphere at the Chicago 2016 stage. For those familiar with the schedule at this time I elected to pass up Animal Collective's DJ Set at Perry's and British indie-pop group Los Campesinos! on the opposite end of the park. Still, as I may regret missing Campesinos! a little, Atmosphere put on a spectacular show. Slug's rhyme's are chaotically intrinsic, full of challenging imagery and skill that would more than likely put any other MC at this year's festival (mostly Asher Roth) to shame.

Atmosphere

After Atmosphere's extra long 16 song set, I grabbed my first (and last) food of the day, a bratwurst with grilled onions, which proved to be the only good food I bought during the whole festival. I made my way to the Citi stage to catch Ipod friendly group Chairlift as my friends and I accidentally met up. They shortly departed to catch Coheed & Cambria while I waded through the spacey twee of the Brooklyn trio. The short, sweet set was clouded by enormous feedback and tiny technical disturbances that made making out anything Caroline Polachek said a bit of a struggle. Still, fans seemed to enjoy themselves enough, especially during "Bruises," one of the better songs of the day.

Chairlift

Soon after, Dean Spunt and Randy Randall of No Age made their way to the Citi stage, with Randall sitting in a chair for the entire show as the result of a dislocated shoulder from the night before. The Southern California noise-rock duo brought with them a following of musicians including Deerhunter's Bradford Cox and TV on the Radio's Tunde Adebimpe and Dave Sitek listening on the sidelines, not to mention a group of avid fans (one so avid that he ran on stage, danced, gave Spunt a note, and dove back into the crowd nearly untouched by security). The show, despite Randall's handicap, was vibrant and loud, full of jumpy singles from the band's 2008 album Nouns and 2007's Weirdo Rippers.

No Age

Exhausted and my ears ringing, I filled my water bottles and moved to the opposite side of the park to grab a spot for TV on the Radio. The north side of the park at this time was immensely packed from people seeing Santigold at the Playstation stage and the Arctic Monkeys at the Budweiser stage. Trudging through was difficult, but my efforts were rewarded as I squeezed into a spot on the right side of the stage (same method I use every time).

As Santi's set ended (with a invigorating version of "Creator") TV on the Radio opened up with Dear Science's "Love Dog." The atmosphere surrounding the collective sound was lush with Dave Sitek's acutely organized feedback and backing rhythm section while Adebimpe and Kyp (the beard) Mylone took control of center stage. Adebimpe seemed to fall into his own, commanding stage as a modern Mick Jagger, effortlessly shifting from Dear Science and Return to Cookie Mountain, to the band's earlier work from the group's 2003 Young Liars EP. If I were to be brash I'd say in another couple years there's almost no doubt that TV on the Radio could achieve headline status.

TV on the Radio

The group closed out with a perfect "Staring at the Sun," that still remains possibly the best song of the festival. With the group sending off and Ben Harper and The Relentless 7 starting off close by the hardest decision of my weekend came; do I wait and get a great spot for the Yeah Yeah Yeahs (the only headline act I anticipated) or do I venture across the park and get a little of Animal Collective's show (who, for those that regularly read my posts, will note was my most anticipated act of the festival)? I elected the former, passing up what many regarded as a good show from Animal Collective in order to save my spot.

My patience once again was justly rewarded, as I witnessed arguably the best show of the festival with the Yeah Yeah Yeahs. Karen O., possibly the best frontwoman in music today, graced the stage in an obscure yet fitting Native American headdress, starting the show with "Runaway" from this year's It's Blitz! LP. The show only got better as the group scattered gems from It's Blitz!, 2006's Show Your Bones, and their spectacular 2003 debut Fever to Tell.

Karen frequently addressed the band replacing the originally scheduled Beastie Boys (guitarist Nick Zinner even played a riff from "So What'cha Want" from the Beastie's 1992 album Check Your Head) and how shocked they were to be there. None the less, the show was extraordinary. The trio filled the headline spot easily as jubilation from the fans filled the air when the group performed their hits "Heads Will Roll," "Zero," and a very special "Maps" in which Karen O. cheerily forgot the words to her most famous song.

In all, day two embarrassingly surpassed day one. The music was nearly perfect along with the weather and fans, creating an unforgettable atmosphere in the park. And with my luck still prevailing that trend would continue to day three.

Best Performances: Yeah Yeah Yeahs, TV on the Radio, Delta Spirit

Worst Performances: Quinn Sullivan

Highlight: "Staring at the Sun" by TV on the Radio

Lowlight: Skipping Animal Collective.

Day Three Review Tomorrow