Monday Bears: Arcade Fire ... wins?

Last night, the 53rd annual Grammy Awards gave one of the most shockingly righteous awards in the show's history. After being nominated for three awards, including Album of the Year, the Arcade Fire seemed more like outsiders thrown into the comical ring for nothing more than pity and forced acknowledgement. A lot of people who know me have heard my on-again off-again verbal detest of the lauded award show. Year after inconsequential year, denominated awards were handed out like peripheral life-time achievement statues, giving awards to Steely Dan, Herbie Hancock, and a dead guy.

Throughout the course of the show, the Grammy's were unsurprisingly Grammy-like: Lady Antebellum seemed to be getting every award they had been nominated for, and "Hey, Soul Sister" actually won something -- so, it didn't look good. To put things in an even wider perspective, Arcade Fire actually lost their first two awards to the Black Keys.

Three years ago, Radiohead was also shockingly nominated for Album of the Year for In Rainbows, only to lose to who-gives-a-fuck Robert Plant and Allison Krauss. I'm basically trying to tell you in a bevy of different ways that The Suburbs had virtually no shot to win Album of the Year.

Well, I was wrong. Happily wrong. Arcade Fire beat out Lady Antebellum, Eminem, Lady Gaga, and Katy Perry - four massive mainstream pop acts with legions of followers dwarfing anything the Montreal group has come close to. Barbara Streisand, who announced it, couldn't even seem to get the right words out of her mouth - like she couldn't pronounce the insanely foreign phrase "The Suburbs."

So, what does it all mean? Twitter indie-philes were utterly shocked (just like these people), and dishearteningly concerned that the group would transpose into the mainstream, even though their radio play is few and far between. Will the group actually get radio play now? How will "Sprawl II (Mountains Beyond Mountains)" sound between an Usher and the Black Eyed Peas on top 40 radio?

Maybe I'm getting ahead of myself, but right now the band isn't just important to those of us who try to pay attention to more than 10 artists - they matter on a global scale. And whether that lasts or not, right now, fans like me feel like we won something.

Arcade Fire - The Suburbs

Thursday Bears: 2010-11 Grammy Nominees

Replace Clapton with Jeff Beck this year

Last night, the official list of the 2010-11 (I never get the time-frame right for this) Grammys was released. Now, I have no long-winded rant set in place, but lets see where this goes. You can download the entire pdf of nominees here.

Eminem topped all everyone this year with 10 nominations for Recovery, including Album of the Year, and Record and Song of the Year for "Love the Way You Lied (ft. Rihanna). Among the notables for Record and Song of the year, which are still two different categories for essentially the same thing, is Cee-Lo's (not Gwyneth Paltrow's) "Fuck You." We have a darkhorse.

Among the artists I perpetuate the idea of caring about, or legitimately do care about, Arcade Fire had a few significant nominations of their own for The Suburbs, including (gasp) Album of the Year. They stand a pretty long shot to actually win the award, but it's good to see that they at least got recognition for it. They were also nominated for two other awards, including Best Alternative Music Album, alongside Band of Horses, The Black Keys, Broken Bells, and Vampire Weekend. Surprisingly not nominated amongst them, Gorilliaz, for Plastic Beach. I'm not gonna get too worked up over the Grammys not nominating the right people every year though.

The Best New Artist Category, which sometimes sees a litany of indie acts (like MGMT last year), is a little flat this time around - something Bielebers will contest to. Aside from the Biebs, Drake, Florence & The Machine, Mumford & Sons, and ... Esperanza Spalding were nominated. Because I don't know who Spalding is, or care not to know who she is (i.e. Zach Brown band last year), she'll likely win. Oh, I checked her out, the first photos on Google came up with her next to a jazz bass. This is done.

I won't share the butt-fuckin'-ton of details, but I will declare this: In the Best Rock Performance By a Duo with Group or Vocals category, Jeff Beck's and Joss Stone's cover of "I Put a Spell on You" is nominated alongside songs from Arcade Fire, Muse, Kings of Leon, and The Black Keys. I'm guaranteeing a win for Beck and Stone. Guarantee.

It's just the way it is, and I've reluctantly accepted that the Grammys, despite being labeled as the most prestigious of music awards (if there is such a thing), will do less and less accurate justice as time goes by. I could be wrong, and see what I like (or hope) wins, but I know I won't be.