Albums of the Month - September 2011
New segment!
At the end of every month forever until I inevitably die - maybe - Bears and Bullets will run an Albums of the Month column. Right now, we'll take it easy early on with three top albums, but hopefully the list will continually expand.
September 2011 marked the release of a handful of anticipated releases, many of which collided on the same day; September 13, including: A.A. Bondy, Cymbals Eat Guitars, Das Racist, Mates of State, Memoryhouse, St. Vincent, and Wild Flag. That being said, the month was marred by disappointing releases as well. So, after all, what were this months standouts?
3. Four Tet - Fabriclive 59
Kieren Hebden, better known under his Four Tet moniker, released Fabriclive not as a studio set, but as part of the Fabric series, that will conclude at the end of this year. It begins as a generally mum post-90s trip-hop push colliding with the soft undertone of crowd noise, which to my knowledge has some sort of purpose. After the easy play-in, it courses through modern-Euro house and then seamlessly through more crowd loops into pure Four Tet-sound. It's that endearing core of the mix that sticks out further than many of September's other notable outputs.
Fabriclive 59 Stream
2. Girls - Father, Son, Holy Ghost
What are Girls? The super-hyped San Francisco buzzband don't fit into the 2011 mold quite as well as their acclaim would seem. Upon the release of Father, Son, Holy Ghost's first single "Vomit," it would seem that they were wedged into some hybrid Beach Boys that are much more sensible to the Jesus and Mary Chain crowd. Confusing? It should be.
Regardless, there's something incredibly endearing about Father, Son, Holy Ghost that doesn't seem like faux-wave lo-fi that frequents the Pacific coastline. Those surf-sensibilities are there, but aren't juxtaposed as an overwhelming theme - letting Christopher Owens' songwriting take the necessary lead.
Father, Son, Holy Ghost Stream
The metal band I simply hype more so than any other marked the end of September with the release of The Hunter, an album which was received by some to be too far off a departure of the band's hard-nailed previous works. And, well, they aren't wrong. Tracks like "Curl of the Burl" and "The Hunter" are easily the most accessible in the band's catalog. For some, though, that as a detraction is in hindsight. The Hunter jabs through blinding, clenching numbers like "Spectrelight" while allowing itself to web a different pattern. For me, that puts in on top.
The Hunter Stream
Mastodon - Spectrelight
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