Day one went well, for the most part, but would that trend last through Saturday? My Morning Jacket were set to play later that night, who if you may recall, were my most anticipated act of this year's festival, as were a handful of others earlier in the day. And as far as streaks go, Lollapalooza's second day always turns out well, so the odds were in my favor.
Day Two:
The early afternoon sun was quickly covered by an earthy grey overcast, setting doubts that rain would be at any point avoidable. Through J Roddy Waltson and the Business' noon set on the north side, the rain luckily strayed away. The Baltimore four-piece received a modest crowd on a stage that they're likely not used to, but rampaged through sets of hard-nosed blues. Waltson, the band's lead, mashed his way through Little Richard covers and some of the group's more well-known spins, including "Used to Did," the band's first single. Lollapalooza organizers did good justice to record this themselves, which you can watch below.
J Roddy Waltson and the Business
Unlike Friday, Saturday wasn't totally over-saturated with scheduling conflicts, and the split between J Roddy Waltson and Friendly Fires served a better purpose. The rain unfortunately did amass, but nothing more than a short spray between sets. The Hertfordshire (UK) group were a bit of a surprise to me, despite hearing both of their previous albums and their numerous appearances on BBC, I was unsure of what to expect from a live show.
In the group's second venture to Lollapalooza, the performance was more than what I hopefully expected. Frontman Ed Macfarlane is single-handily enough to see, but the group's power-blast dance rock only fueled one of the weekend's most fun sets. Macfarlane danced through each and every note, while giving the crowd even more incentive to by jumping in a few times. Some bands just don't do well in a festival setting, with wide open air and sunlight - Friendly Fires, on the other hand, excel in this type of setting, and are worth seeing whenever they come around.
Ed Macfarlance of Friendly Fires
A short walk away, I got ready for one of my favorite acts of the year - Black Lips. I talk about them enough as it is, so a synopsis isn't totally necessary. The band's insane. The stage was covered in puke and beer, while the more "into it" fans found it easier to throw their fists here than at any other show during the weekend. A large portion of the crowd were just casual onlookers, but I couldn't help myself getting into the fights, which included one for one of the band's broken guitars. I unfortunately lost that fight, but this guy didn't.
We were all winners
Gleefully exhausted, I took the short trek back to the same stage where Friendly Fires performed to catch Death From Above 1979. I've heard that their shows were loud, but the actual thing was ridiculous. Sebastien Granger yells, yells, and yells to ear-cracking extremes while Jesse Keeler's thundering bass makes any guitar sound almost pathetic. The show definitely isn't for everyone, but for a few hundred (or thousand) rabid fans it was exactly what they wanted. The duo is better suited in an enclosed setting, but a lot of the show still proved to be endearing.
Granger from DFA gets around sign language
Much like the day before, the Sony stage on the park's south side for Local Natives was literally choked with far, far too many people. Arriving at any point other than 10 minutes before it started pretty much guaranteed you a less than ideal spot. I took it as a time to relax and just listen nearby, rather than struggle in the mid-day heat.
Live, the band is a total joy, as was their set at Pitchfork in 2010. The limited source material actually served the band surprisingly well, with only a few onlookers not knowing what to expect. Still, the group hasn't released anything since 2009's Gorilla Manor
, which is odd a band playing anything but a closing set.
Local Natives
Local Natives - Who Knows Who Cares (Live at Lollapalooza 2011)
Rather than squander my chances by checking over a few other acts, I opted to grab an early spot for My Morning Jacket. Thanks mostly to Eminem, who was playing on the opposite side of the park that night, but there may have never been a smaller crowd for a headlining act in recent Lollapalooza history. Literally getting from the back to the near front is an impossible feat for any closing act, but it was relatively easy that Saturday night. Thankfully, it only enhanced the atmosphere for fans of the band, who would have gladly opted for a more comfortable setting, compared to Eminem's slew of mud-drenched fans.
Live, MMJ are a must, for any and every festival. The band is pitch perfect, masterful instrumentalists who are fully capable of putting on an awe-inspiring show, and Saturday wasn't an exception. Blasting through over 20 songs throughout the band's catalog, the closing "One Big Holiday" became the staple of the entire weekend, which you can watch below (I'm also in the video for a split second).
My Morning Jacket - One Big Holiday (Live at Lollapalooza 2011)
Again, another success story. Find out tomorrow how the festival's final day turned out.
Best Performances: My Morning Jacket, Black Lips, Friendly Fires
Worst Performances: None
Highlight: "One Big Holiday," "Wordless Chorus," and "Mahgeeta" by My Morning Jacket. "Bad Kids," by Black Lips
Lowlight: Local Natives' all too enormous crowd, missing The Glitch Mob.
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