#15: Lust for Life - Girls
"Lust for Life," opened Girls debut Album with a long stretch of wishes and desires, asking for really the most simple things, but end up getting less than nothing. That "brand new start" lead singer Christopher Owens sings about comes at the back end of everything, after he realizes that those wishes, realistic or not, aren't going to happen. Despite the uplifting harmonies, percussion and tambourine, the song splits between sobering and gleeful, knowing that Owens never ends up getting the "boyfriend," "pizza," or "beach house." And yet the hand-clapped led second verse with the rest of the band filling in delightful 60's California harmonies makes you almost forget how much you can screw up before anything goes right.
Girls - Lust for Life - MP3
#14: Animal - Miike Snow
There's something oddly chilling about Miike Snow's "Animal." The production of each and every beat leading into and ending the four-and-a-half minute song is so precise that the rough idea of human's basic instincts and flaws and they're downfall seems almost counter-intuitive. What is heard, however, is one of the year's more catchy and accessible indie hits.
Miike Snow - Animal
#13: Summertime Clothes - Animal Collective
The first of several Animal Collective songs on this year's list, "Summertime Clothes" is a casually inviting spin into the Baltimore band's engulfing psychedelic pop. The jumpy, blippy, starry summer night single stood in the shadows of "My Girls," during Merriweather Post Pavilion's reign over 2009, but many argue that it surpasses it in excellence. While that may be here or there, "Summertime Clothes" deserves its due recognition.
Animal Collective - Summertime Clothes
#12: Zero - Yeah Yeah Yeahs
The charging anthem of It's Blitz!, "Zero" ushers in the Yeah Yeah Yeahs first and best attempt to bring electro-charged pop to the Brooklyn band's garage-driven sound. When Karen O's voice rises with the "climb, climb, climb," guitarist Nick Zinner's pulsating melody enriches, pushes, and explodes, climbing higher and higher until "Zero's" breaking point. And that "Zero," despite being who they are, sound bigger than ever.
Yeah Yeah Yeahs - Zero (Live on Letterman)
#11: Swim (To Reach the End) - Surfer Blood
"Swim"'s endless Weezer-esque comparisons are becoming a tad null. Weezer, at their mid-90's peak resembled something close to what Surfer Blood were able to churn out -- the driving hooks, insatiable fuzzy riffs, pounding drums and chanting chorus -- but that 90's band is long gone. "Swim" sounds more complete, refreshing and tauntingly infectious than anything on Raditude, while keeping a keen ear of sincerity in the mix. The song doesn't belong in the 90's, or anywhere else really - it's pop in an endless form, that sounds similar and different after each listen.
Check Back Later for Tracks #10-#1
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