Today, we'll continue the top 25 countdown with songs #10 through #1, including a free mixtape at the end of the post.
#10: No Sex for Ben - The Rapture
This has to be one of the year's most underrated tracks, partly the fault of being on the soundtrack for Grand Theft Auto IV. Yet, as it is, "No Sex for Ben" rivals even the best of The Rapture's (official website) previous efforts, including "House of Jealous Lovers" off of their 2003 album Echoes. It's a fuzzy interlude of beat boxing, timed buzz-bass lines, and guitars that make "No Sex for Ben" the best dance-rock track of 2008.
#9: Love Dog - TV on The Radio
My personal favorite track off of TV on The Radio's (official website) 2008 album Dear Science is most assuredly "Love Dog." There was something quite different from Dear Science and their 2006 album Return to Cookie Mountain (lets just say it was the funk), but to me "Love Dog" bridges that gap, returning Tunde Adebimpe's grasping heroic vocals with the minimalistic background, until the fade of an orchestra beams out the song's final glory. It may not be the consensus favorite off Dear Science for most people, but for me TV on The Radio couldn't get any better.
#8: Gobbledigook - Sigur Ros
Everyones favorite (or should be) non-English speaking artist, Sigur Ros (official website), stepped towards another dimension with "Gobbledigook" - they stayed on Earth. The song did not stray into the atmospheric realm that Sigur Ros learned to use so well, but rather changed the heart of the sound to a point where it almost sounds primitive (in a good way). For the first time, Sigur Ros sound almost furious in their efforts to paint the image they're trying to make, slamming the percussion and guitars until "Gobbledigook" (video here) runs out of breath - also making it one of the shortest songs Sigur Ros ever made.
#7: Eraser - No Age
No Age's (Myspace) "Eraser" fuses the efforts of what the band spent most of its years working towards - an endearingly gleeful noise that only fuels No Age's style. "Eraser" is a loose, simple song, that strives quickly towards a fuzz-box goal of expansiveness. The sheer sound executed here is full of hooks and quirks, but still leaves Dean Spunt's voice as permanent as it should be. Their album Nouns is full of the same feelings you get here.
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